Burma Bound and the Mystical Bhutan Glory – Process!
February 26, 2014 § 5 Comments
The first contender for the Thailand Burma Flora Fauna print series is complete! Today, I’d like to share some of my process with you, give a brief update on student workshops, and let you know about my upcoming travel plans into inner Burma and Laos at the end of this week. Wifi in Burma is rare, so the next update will be in late March upon my return to Mae Sot.
The Mystical Bhutan Glory (what a name!) was a fascinating creature to research. This swallowtail butterfly was recorded in the 1920’s at 9000 ft in the Himalayas. It is rare due to over-collecting and the destruction of its habitat and is now considered to be endangered (though the numbers are unclear). Large for a butterfly, it can measure up to 11cm (4.3in).
As a defense the Bhutan Glory feeds upon the poisonous Indian birthwort plant. It absorbs the poison, which predators can sense and then know to avoid. I thought it was appropriate to pair it with the poppy flower, which has its own complicated history with Thailand and Burma.
I am experimenting with different chops (traditional signature stamps) and am considering including gold leaf from Burma as an addition to the signature (as seen in the image, above).
Process – My process is about expansion and contraction. That is, first being completely wide open and allowing myself the space to summon and sift ideas. This is followed by a deliberate process of honing in on the strongest ones. Once I have settled on an image I work it (and rework it) until it feel right to my eyes.
In the beginning of a project I fill sketchbooks with loose sketches called thumbnails drawings, named so for their small size. I am a firm believer in drawing thumbnails– if a composition does not work well at an inch by an inch, why would it look good on a large scale?
Once I have chosen the composition I draw the image digitally (directly into photoshop) using a tablet and pen tool for my computer. For me, this is a great way to work as I am able to experiment while using the most of my time and energy. Once I am satisfied with the image, I can redraw and refine it on paper.
Student Workshops – The workshops have been going really well. They’re enjoyable to teach and sometimes challenging when true language barriers surface, but overall, they feel like a productive sharing of knowledge. For me, the teacher training has felt the most fruitful so far, as all of these young artists have the desire to teach and pass on what they learn to their younger peers.
It is so hard to choose images to share as there are so many good ones. Here are a few for now.
Travel – My lovely traveling companion and I are about to head into inner Burma, and then onto Laos. I can’t wait to see it with my own eyes. In anticipation, I’ve been reading Emma Larkin’s Finding George Orwell in Burma, a book I highly recommend to anyone who is interested in the history of the country.
Among other locations in Burma, we’ll be headed to Mandalay, Bagan, and Inle Lake. Then off to Vientiane and Luang Prabang in Laos. It is my hope and goal to absorb as much as I can visually and to collect images that can be used in this print series as well as in my other work.
My next update will be posted after my return to Mae Sot in late March. Thank you all for your continued support!
*Special thanks to my old friend David who sent me a mellow, uplifting music compilation that carried me through the end of this first drawing. It was much needed and much appreciated!*